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SUZUKI Yoshinori, <Nonexistent Tableu (by Giuseppe Arcimboldo)>, Wooden, oil on canvas, 53.7×46.2×6cｍ x 2 panles, 1967
SUZUKI Yoshinori, <Nonexistent Tableu (by Giuseppe Arcimboldo)>, Wooden, oil on canvas, 116×94.4cｍ x 2 panels, 1969
SUZUKI Yoshinori, <Nonexistent Tableu with an Appearance of the Reverrse>, Wooden, oil on canvas, 60×67.7cｍ, 1967
SUZUKI Yoshinori, <Two Yves Tanguy>, Oil on canvas, 91×116.7cｍ, 1966
[Japan] SUZUKI Yoshinori Nonexistent Tableu (by Giuseppe Arcimboldo) Nonexistent Tableu (by Giuseppe Arcimboldo) Nonexistent Tableu with an Appearance of the Reverrse Two Yves Tanguy
Suzuki Yoshinori was born in Shimizu City, Shizuoka Prefecture in 1936 and served as a member of Gensoku (Tactile Hallucination) Group that was formed in Shizuoka in 1966 under the influence of art critic Ishiko Junzo. In addition, Suzuki used the image of a masterpiece to represent the history of art as a data base that can be edited and consumed for his works following the interpretation of immateriality in the image of the piece. In addition, he presented the fact that as painting has three-dimensional nature as a subject, there was a face and back to his artworks. The fact that the historic meaning of Genshoku was more than the simple role of Pre-Mono-ha will be proven through the possibilities presented by Suzuki’s activities which need to be examined today. |
