Development of modern science and technology brought about exchanges between cultures and changes of perception. In particular, the use of media by humans has enabled the realization of a new form of art in which politics, culture, and technology is combined. Moreover, from the perspective of post-modernism, media is much more continuous and revolutionary than any Avant-garde. This century of technological revolution set off from videos has not only led to the reproduction of virtual reality and highly advanced digital technologies but also virtual sculpting today. New digital media has enabled people around the world to move freely across time and space of the past, present and the future. It has brought about changes in visual perception and paradigm.
Media, which reenacts hybridization with the inflow of various cultural elements due to the development of capitalism and globalization, was made through interactions between various factors such as culture, history, social phenomenon, characteristics of media and messages. Hybridizing media created a new ideology through carriers of media such as race, language, sign, image, and culture. Lee Leenam seeks to examine how the media is dealing with hybridizing earth, or today’s reality which is represented by hybridizing earth. Put on the VR and you will find yourself in a virtual space filled with Chinese characters in 3D. This is visualization of human cognitive system influenced by the mixture of various media such as letters and films. The way the images of Chinese characters, which have a long-standing history as ‘letters’, disappear as a data, a pixel in a digital space call into question the essence and value of a subject.
